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Ken Gonzales-Day, “Danny,” mural by Levi Ponce, Van Nuys Blvd. at Telfair Ave., Pacoima, 2013. Photo © 2017 Ken Gonzales-Day.
Surface Tension by Ken Gonzales-Day
Murals, Signs, and Mark‐Making in LA
October 6, 2017–February 25, 2018
Ken Gonzales-Day, “Danny,” mural by Levi Ponce, Van Nuys Blvd. at Telfair Ave., Pacoima, 2013. Photo © 2017 Ken Gonzales-Day.
Murals, Signs, and Mark‐Making in LA
October 6, 2017–February 25, 2018
This exhibition was on view at the Skirball
October 6, 2017–February 25, 2018
The exhibition featured a new body of photographic work by interdisciplinary artist Ken Gonzales-Day examining the mural landscape of LA—from East LA to Venice Beach, from Pacoima to South LA. Featuring over 140 photographs, Surface Tension by Ken Gonzales-Day: Murals, Signs, and Mark‐Making in LA considered what the city’s walls reveal about its diverse communities.
The exhibition demonstrated how Los Angeles understands its history and its values through the murals that decorate the city. Local communities honor their heritage by telling their own stories with their own voices. Residents pay homage to their idols and heroes. Graffiti artists declare their presence. Activists decry injustice and envision better worlds. Shopkeepers lure customers with hand-painted advertisements. Artists from around the globe make their mark on a rapidly changing urbanscape.
Recording Los Angeles’s unique visual identity and the diversity of its population and artistic production in the present moment, Surface Tension by Ken Gonzales-Day asked: What is a mural? Who speaks, and who decides what counts as art?
Surface Tension by Ken Gonzales-Day was part of Pacific Standard Time: LA/LA, a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles, taking place from September 2017 through January 2018 at more than sixty cultural institutions across Southern California. Pacific Standard Time is an initiative of the Getty.
Ken Gonzales-Day, “Danny Trejo,” mural by Levi Ponce, Van Nuys Blvd. at Telfair Ave., Pacoima, 2011. Photo © 2017 Ken Gonzales-Day.
Ken Gonzales-Day, RV Painted with Clouds, Oxnard St. at Coldwater Canyon Ave., Valley Glen. Photo © 2017 Ken Gonzales-Day.
Ken Gonzales-Day, Palm Trees at Venice Public Art Graffiti Walls, Venice Beach, 2017. Photo © 2017 Ken Gonzales-Day.
Ken Gonzales-Day, “The Masters: Frida, Diego, & Siqueiros,” mural by Marka27, NoeTwo, and Codak, Colton St. at Glendale Blvd., Westlake North, 2005. Photo © 2017 Ken Gonzales-Day.
Ken Gonzales-Day, “Jim Morphesis,” mural by Kent Twitchell, Hollywood Freeway at Hope St. exit, Downtown Los Angeles, 1984. Photo © 2017 Ken Gonzales-Day.
Ken Gonzales-Day, “Walking the Wires,” mural by Kim West, 806 Mateo St. between Violet St. and E. 7th St., Arts District, 2014. Photo © 2017 Ken Gonzales-Day.
Ken Gonzales-Day, “Contained,” mural by LOVE Crew, Mateo St at Violet St, Arts District, 2016. (c) 2017 Ken Gonzales-Day.
Ken Gonzales-Day, “The Elixir,” mural by Patrick Henry Johnson, Crenshaw Blvd at Stocker St, Leimert Park, 2011. (c) 2017 Ken Gonzales-Day.
Ken Gonzales-Day, Mural by anonymous artist on Melrose Ave. at Ogden Ave., Melrose, 2016. Photo © 2017 Ken-Gonzales-Day.
Ken Gonzales-Day, “La Casa Azul,” mural by MUTE, Van Nuys Blvd. at Ralston Ave., Pacoima, 2016. Photo © 2017 Ken Gonzales-Day.
Photographer Parses the Politics and Relevance of L.A.’s Murals and Marks
KCET | October 11, 2017
7 Experiences Not to Miss During Pacific Standard Time: LA/LA
Discover Los Angeles | July 17, 2017
Surface Tension by Ken Gonzales-Day: Murals, Signs, and Mark-Making In LA is organized by the Skirball Cultural Center as part of Pacific Standard Time: LA/LA.
The exhibition and its related educational programs at the Skirball Cultural Center are made possible in part from generous support from the following donors:
The Angell Foundation
Pasadena Art Alliance
Photographic Arts Council · Los Angeles
Sauvage Family
Specialty Family Foundation